Bundan \u00f6nceki yaz\u0131lar\u0131m\u0131n birinde G\u00fczel Sanatlardan bahsetmi\u015ftim.
\nBu yaz\u0131m \u00fczerine \u0130nternet siteme cevapland\u0131r\u0131lmak \u00fczere sevgili \u0130smet AKT\u00dcRK\u2019 ten bir soru geldi.
\nSoru G\u00fczel Sanatlarla ilgili\u2026
\nSorunun a\u011f\u0131rl\u0131k noktas\u0131 da \u0130slam\u2019\u0131n G\u00fczel Sanatlara mani olup olmad\u0131\u011f\u0131\u2026
\nSoruyu y\u00f6nelten bir \u00dcniversite \u00f6\u011frencisi\u2026<\/p>\n
Soru \u00f6zetle \u015fu:
\n\u201c\u2026Acaba G\u00fczel sanatlar nedir? \u0130slamiyet g\u00fczel sanatlara mani midir?
\nG\u00fczel sanatlarla ilgili \u0130slamiyet’in g\u00f6r\u00fc\u015f\u00fc nas\u0131ld\u0131r?
\nSanat\u0131n g\u00fczel olmas\u0131 i\u00e7in \u0130slamiyet ne gibi \u00f6nlemler alm\u0131\u015ft\u0131r?
\nG\u00fcn\u00fcm\u00fcz\u00fcn g\u00fczel sanatlar anlay\u0131\u015f\u0131 ile \u0130slamiyet’in g\u00fczel sanat anlay\u0131\u015f\u0131 birbirine ters d\u00fc\u015fm\u00fcyor mu?
\nG\u00fczel sanatlar konusunda her \u0130slam \u00fclkesinin g\u00f6r\u00fc\u015f\u00fc ayn\u0131 m\u0131d\u0131r?
\nT\u00fcrk sanat\u0131 \u0130slam sanat\u0131ndan etkilenmi\u015f midir?
\n\u0130slam’da g\u00fczellik ve estetik duygusu var m\u0131d\u0131r?…\u201d<\/p>\n
G\u00fczel bir soru\u2026
\nAra\u015ft\u0131rd\u0131m ve kendisine sitedeki SORUN S\u00d6YLEYEL\u0130M b\u00f6l\u00fcm\u00fcnden gereken cevab\u0131 verdim.
\n\u0130lgin\u00e7 buldu\u011fum sorunun cevab\u0131n\u0131 sizlerle de payla\u015fmak istiyorum:
\n\u0130slamiyet g\u00fczel sanatlar\u0131n koruyucusudur.
\nAllah taraf\u0131ndan d\u00fczene sokulan kainattaki de\u011fi\u015fmez sistem, determinist ger\u00e7eklik; insana bir yandan intizam fikrini a\u015f\u0131lam\u0131\u015f, di\u011fer yandan ilmi inceleme ve ara\u015ft\u0131rmalar\u0131n yolunu a\u00e7m\u0131\u015ft\u0131r.
\nMaddenin en k\u00fc\u00e7\u00fck par\u00e7as\u0131 olan Atom’un yap\u0131s\u0131ndan kainat\u0131n d\u00fczenli i\u015fleyi\u015fine kadar b\u00fct\u00fcn varl\u0131k alemi ger\u00e7ekte \u0130lahi bir sanatt\u0131r.<\/p>\n
Canl\u0131 organizmalar\u0131n, \u00f6zellikle insan\u0131n ruhi ve organik yap\u0131s\u0131n\u0131n de\u011fi\u015fmez fonksiyonlar\u0131 KA\u0130NAT dedi\u011fimiz ilahi sanat\u0131n g\u00f6r\u00fcnt\u00fcs\u00fcd\u00fcr.
\n\u0130slam’\u0131n ortaya koydu\u011fu Namaz, Oru\u00e7, Zekat, Hac gibi ibadetlerde bile bu intizam ve \u015fekli d\u00fczen vard\u0131r.
\nCenab\u0131 Allah, sanat ve nimetini insanlar\u0131n \u00fczerinde g\u00f6rmeyi dilemi\u015ftir.<\/p>\n
“Allah nimetini kulunun \u00fczerinde g\u00f6rmeyi diler” ayeti bunu belirtir.
\nAyette; Servetin, varl\u0131\u011f\u0131n, g\u00fczel ya\u015famak, g\u00fczel g\u00f6r\u00fcnmek, d\u00fczenli ve g\u00fczel bir hayat s\u00fcrmekte kullan\u0131lmas\u0131n\u0131n, ak\u0131ll\u0131, d\u00fczenli bir hayat kurulmas\u0131n\u0131n tavsiye edildi\u011fini s\u00f6ylemek m\u00fcmk\u00fcnd\u00fcr.
\nKur’an-\u0131 Kerim belli bir makam \u00fczere okunmaktad\u0131r.
\nKur’an\u0131n belli bir makamda okunmas\u0131n\u0131 emreden ayet de d\u00fcnyada kurulmas\u0131 istenen intizam ve g\u00fczellik tercihinin ortaya konu\u015fudur.<\/p>\n
“Allah, kulunun yapt\u0131\u011f\u0131 i\u015fi, \u0130ntizaml\u0131 ve g\u00fczel yapmas\u0131n\u0131 sever” buyuran Peygamberimiz d\u00fczg\u00fcn ve g\u00fczel ya\u015fam\u0131\u015f, g\u00fczel ya\u015famam\u0131z\u0131, g\u00fczeli ya\u015fatmam\u0131z\u0131 istemi\u015ftir.
\nBu g\u00fczellik ve estetik duygusudur, ki, \u0130stanbul’u yeni ba\u015ftan kuran Mimar Sinan’a S\u00fcleymaniye’yi\u2026
\nSedeftcar Mehmet A\u011fa’ya Sultanahmed’\u0130\u2026
\nItri Dede Efendi’ye e\u015fsiz bestelerini\u2026
\n\u0130nce hat ustalar\u0131na, eski yaz\u0131 sanatkarlar\u0131na hat sanat\u0131n\u0131n kal\u0131c\u0131 muhte\u015fem eserlerini yapt\u0131rm\u0131\u015ft\u0131r.
\nOkuyu\u015f ve s\u00f6yleyi\u015fi sanatla\u015ft\u0131rarak doyurucu beste ve s\u00f6yleyi\u015fleri, yaz\u0131 ve yazmay\u0131 sanatla\u015ft\u0131rarak as\u0131rlar boyunca solmayan kufi, s\u00fcl\u00fcs, nesih, talik, divani gibi hat \u00e7e\u015fitlerini ortaya koyan anlay\u0131\u015f, bu intizaml\u0131 ve d\u00fczenli ya\u015fama prensibinden do\u011fmu\u015ftur.
\nGe\u00e7enlerde bir televizyon program\u0131nda “\u0130znik’te \u00e7inicilik” \u00e7al\u0131\u015fmalar\u0131yla ilgili bir program izlemi\u015ftim.
\nBu programda eski \u0130slam sanat\u00e7\u0131lar\u0131n\u0131n ortaya koydu\u011fu \u00e7ini s\u00fcslemecili\u011finde kullan\u0131lan boyalar \u00fczerinde \u00e7al\u0131\u015fmalar yap\u0131l\u0131yordu…
\nG\u00fcn\u00fcm\u00fcz\u00fcn \u00e7ini ustalar\u0131 eski d\u00f6nemde kullan\u0131lan ve hi\u00e7 bozulmayan boyalar\u0131n nas\u0131l yap\u0131ld\u0131\u011f\u0131n\u0131 hala anlayamad\u0131klar\u0131n\u0131 anlat\u0131yordu.
\n\u0130slamiyet’in sanata verdi\u011fi \u00f6nemi kavrayan kimseler, \u015fu anda yap\u0131lmas\u0131 g\u00fc\u00e7 olan eserler v\u00fccuda getirmi\u015fti.<\/p>\n
\u00d6rnekleri \u00e7o\u011faltmak da m\u00fcmk\u00fcnd\u00fcr…
\n\u0130slamiyet daima g\u00fczel sanatlar\u0131n koruyucusu olmu\u015ftur.
\nDinimiz her insan\u0131 g\u00fczeli bulmak, g\u00fczel ya\u015famak g\u00f6revi ile y\u00fck\u00fcml\u00fc tutmu\u015ftur.
\nBu bak\u0131mdan M\u00fcsl\u00fcmanl\u0131k girdi\u011fi her \u00fclkenin sadece dinini de\u011fil, sosyal ve k\u00fclt\u00fcrel durumunu da etkilemi\u015ftir.
\n\u0130slamiyet’in Mekke’de e\u015fi g\u00f6r\u00fclmemi\u015f bir edebiyat ve \u015fiir denizi \u00fczerine do\u011fdu\u011funu s\u00f6ylemek yanl\u0131\u015f de\u011fildir.
\n\u0130slamiyet’in ana kayna\u011f\u0131 Kur’an-\u0131 Kerim, Arap dilinin en g\u00fczel eserlerini verdi\u011fi b\u00f6yle bir ortamda ifade sanat\u0131n\u0131n en veciz, en e\u015fsiz \u00f6rne\u011fi olarak indirilmi\u015ftir.<\/p>\n
Kur’an’\u0131n geli\u015fi; K\u00e2be duvar\u0131na alt\u0131n m\u00fcrekkeple yaz\u0131larak as\u0131lan \u015fairlerin \u015fiirlerini g\u00f6zden d\u00fc\u015f\u00fcrm\u00fc\u015f, o d\u00f6nemde \u0130mrul Kays, Tarafa, Z\u00fcheyr gibi \u00fcnl\u00fc \u015fairler yeti\u015ftiren Arap \u015fiiri, Kur’an’\u0131n e\u015fsiz ifadesi ve icaz\u0131 kar\u015f\u0131s\u0131nda g\u00f6lgede kalm\u0131\u015ft\u0131r.
\n\u0130slamiyet’ten \u00f6nce zirveye ula\u015fan g\u00fczel s\u00f6z s\u00f6yleme ve \u015fiir gelene\u011fi Kur\u2019an-\u0131 Kerim’in geli\u015finden sonra da devam etmi\u015ftir.
\nEdebiyat ve \u015fiir \u0130slam d\u00fcnyas\u0131nda g\u00fczel sanatlar alan\u0131nda hemen daima \u00fczerinde durulan bir sanat dal\u0131 olmu\u015ftur.
\n\u0130slamiyet’in g\u00fczel sanatlara verdi\u011fi \u00f6nem sadece \u015fiir ve edebiyattan ibaret de\u011fildir.
\n\u0130slam sanatk\u00e2rlar\u0131 g\u00fczel sanatlar\u0131n her dal\u0131nda, resimde, mimaride, plastik sanatlarda, hat ve musikide \u00e7ok g\u00fczel eserler vermi\u015flerdir.<\/p>\n
\u0130slamiyet’in sanat anlay\u0131\u015f\u0131 milletleraras\u0131 estetik duygusunun ortaya \u00e7\u0131k\u0131\u015f\u0131d\u0131r.
\nHer sanatk\u00e2r bu g\u00fczellik duygusunu kendi anlay\u0131\u015f\u0131na g\u00f6re geli\u015ftirmi\u015f, kendisini emperyalist bir ba\u011fla kay\u0131tl\u0131 g\u00f6rmemi\u015ftir.
\nBu sebeple \u0130sl\u00e2miyet\u2019i kabul eden milletlerin \u00f6mr\u00fc, sanat karakterleri, \u0130slamiyet\u2019in sanat anlay\u0131\u015f\u0131 i\u00e7erisinde erimemi\u015ftir.
\nBilakis \u0130slam\u2019\u0131n sanat anlay\u0131\u015f\u0131yla birle\u015ferek serpilip geli\u015fmi\u015ftir.
\nG\u00fczel sanatlar\u0131n her b\u00f6l\u00fcm\u00fcnde her sanatk\u00e2r kendi \u00fclkesinin ortaya koydu\u011fu sanat temeli \u00fczerinden kendi ayr\u0131 \u00fcslubunu kazanm\u0131\u015f ve devam ettirmi\u015ftir.
\nBug\u00fcn bile \u00c7in’deki bir cami ile \u0130ran ve Hindistan’daki cami aras\u0131nda bir T\u00fcrk mimarisi ile bir Arap ve \u0130ran mimarisi aras\u0131ndaki \u00fcslup fark\u0131n\u0131 g\u00f6rmemek imk\u00e2ns\u0131zd\u0131r.
\n\u0130slam sanat\u0131 i\u00e7erisinde serpilip b\u00fcy\u00fcyen T\u00fcrk Sanat\u0131; Sadelik, ahenk ve mant\u0131k kurallar\u0131na uygun olu\u015fu ile varl\u0131\u011f\u0131n\u0131 b\u00fct\u00fcn d\u00fcnyaya duyurmu\u015ftur.
\nM\u00fcsl\u00fcman T\u00fcrk sanatk\u00e2rlar\u0131 \u0130man co\u015fkunluklar\u0131n\u0131 mimari zevkleri ile mermere; Yaz\u0131 ve hat zevkleri ile sayfalara b\u00fcy\u00fck bir incelikle i\u015fleyerek imanlar\u0131n\u0131 abidele\u015ftirmi\u015flerdir.
\n\u0130slam medeniyetinde g\u00fczel sanatlar\u0131n her dal\u0131nda g\u00f6r\u00fclen e\u015fsiz g\u00fczellikler bunun ispat\u0131d\u0131r
\n\u0130sl\u00e2miyet\u2019in g\u00fczel sanatlara verdi\u011fi \u00f6nem ile ilgili sevgili \u0130smet Akt\u00fcrk\u2019e verdi\u011fim cevap sadece bunlardan ibaret de\u011fildi.
\nMalum\u2026
\n\u0130nternet sayfalar\u0131na daha geni\u015f bilgiler yazmak
\nm\u00fcmk\u00fcn\u2026
\nGazetedeki yerimizin k\u0131s\u0131tl\u0131 olmas\u0131 nedeniyle verdi\u011fim cevab\u0131n ancak bir b\u00f6l\u00fcm\u00fcn\u00fc sizlerle payla\u015fma imk\u00e2n\u0131m oldu\u2026
\nHo\u015f\u00e7a kal\u0131n\u0131z.<\/p>\n","protected":false},"excerpt":{"rendered":"
Bundan \u00f6nceki yaz\u0131lar\u0131m\u0131n birinde G\u00fczel Sanatlardan bahsetmi\u015ftim. Bu yaz\u0131m \u00fczerine \u0130nternet siteme cevapland\u0131r\u0131lmak \u00fczere sevgili \u0130smet AKT\u00dcRK\u2019 ten bir soru geldi. Soru G\u00fczel Sanatlarla ilgili\u2026 Sorunun a\u011f\u0131rl\u0131k noktas\u0131 da \u0130slam\u2019\u0131n G\u00fczel Sanatlara mani olup olmad\u0131\u011f\u0131\u2026 Soruyu y\u00f6nelten bir \u00dcniversite \u00f6\u011frencisi\u2026 Soru \u00f6zetle \u015fu: \u201c\u2026Acaba G\u00fczel sanatlar nedir? \u0130slamiyet g\u00fczel sanatlara mani midir? G\u00fczel sanatlarla ilgili […]<\/p>\n","protected":false},"author":11,"featured_media":59663,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-60217","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gazi-mert"],"views":35,"_links":{"self":[{"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/posts\/60217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/comments?post=60217"}],"version-history":[{"count":0,"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/posts\/60217\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/media\/59663"}],"wp:attachment":[{"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/media?parent=60217"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/categories?post=60217"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/tags?post=60217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}