{"id":143094,"date":"2026-09-09T10:03:52","date_gmt":"2026-09-09T07:03:52","guid":{"rendered":"https:\/\/mersingazetesi.com\/?p=143094"},"modified":"2026-09-09T10:03:52","modified_gmt":"2026-09-09T07:03:52","slug":"islam-sanat-anlayisinin-turk-sanatina-etkisi","status":"publish","type":"post","link":"https:\/\/mersingazetesi.com\/index.php\/2026\/09\/09\/islam-sanat-anlayisinin-turk-sanatina-etkisi\/","title":{"rendered":"\u0130SLAM SANAT ANLAYI\u015eININ T\u00dcRK SANATINA ETK\u0130S\u0130\u2026"},"content":{"rendered":"
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T\u00fcrk sanat\u0131, Orta Asya’dan g\u00fcn\u00fcm\u00fcze kadar uzanan tarihi s\u00fcre\u00e7te, T\u00fcrk topluluklar\u0131n\u0131n ve devletlerinin (Uygur, Sel\u00e7uklu, Osmanl\u0131 ve T\u00fcrkiye Cumhuriyeti) \u00fcretti\u011fi t\u00fcm g\u00f6rsel, mimari ve el sanatlar\u0131n\u0131 kapsayan zengin bir k\u00fclt\u00fcrel mirast\u0131r.<\/div>\n
\u0130slam \u00f6ncesi d\u00f6nemde g\u00f6\u00e7ebe ya\u015fam\u0131n getirdi\u011fi ta\u015f\u0131nabilir fig\u00fcratif \u00f6geler ve hayvan \u00fcslubuyla \u015fekillenen bu sanat, Anadolu’ya ge\u00e7i\u015f ve \u0130slamiyet’in kabul\u00fcyle birlikte Orta Do\u011fu, Akdeniz ve Bat\u0131 k\u00fclt\u00fcrleriyle harmanlanarak k\u00f6kl\u00fc bir senteze d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr.<\/div>\n
Geleneksel T\u00fcrk sanatlar\u0131n\u0131n her biri \u0130slam sanat\u0131yla birle\u015ferek kendine has tekniklere, derin bir felsefeye ve esteti\u011fe sahiptir.<\/div>\n
En \u00f6ne \u00e7\u0131kan dallar \u015fu \u015fekilde \u00f6zetlenebilir:<\/div>\n
a-Geleneksel Kitap ve Ka\u011f\u0131t Sanatlar\u0131:<\/div>\n
Kitap s\u00fcsleme ve yaz\u0131 k\u00fclt\u00fcr\u00fc, T\u00fcrk-\u0130slam esteti\u011finin en incelikli \u00f6rneklerini bar\u0131nd\u0131r\u0131r.<\/div>\n
\u2022 H\u00fcsn-i Hat (Hat Sanat\u0131): Arap harflerini estetik kurallarla, \u00f6l\u00e7\u00fcl\u00fc ve zarif bir \u015fekilde yazma sanat\u0131d\u0131r. Osmanl\u0131 d\u00f6neminde zirveye ula\u015fm\u0131\u015ft\u0131r.<\/div>\n
\u2022 Ebru Sanat\u0131: Kitre ile yo\u011funla\u015ft\u0131r\u0131lm\u0131\u015f suyun \u00fczerine boyalar serpi\u015ftirerek desenler olu\u015fturma ve bu desenleri k\u00e2\u011f\u0131da aktarma sanat\u0131d\u0131r.<\/div>\n
\u2022 Tezhip Sanat\u0131: Kur’an-\u0131 Kerim ba\u015fta olmak \u00fczere el yazmas\u0131 kitaplar\u0131, levhalar\u0131 ve fermanlar\u0131 alt\u0131n tozu ve boyalarla s\u00fcsleme, yald\u0131zlama sanat\u0131d\u0131r.<\/div>\n
\u2022 Minyat\u00fcr Sanat\u0131: \u0130ki boyutlu, derinli\u011fi ve g\u00f6lgesi olmayan, ince i\u015flenmi\u015f k\u00fc\u00e7\u00fck boyutlu geleneksel resim sanat\u0131d\u0131r. Osmanl\u0131’da tarihi olaylar\u0131, saray ya\u015fam\u0131n\u0131 ve \u015fenlikleri belgeleyen g\u00f6rsel bir haf\u0131za g\u00f6revi g\u00f6rm\u00fc\u015ft\u00fcr.<\/div>\n
b-Ate\u015f ve Toprak Sanatlar\u0131:<\/div>\n
Anadolu’nun binlerce y\u0131ll\u0131k seramik miras\u0131, T\u00fcrk zevki ve pi\u015firme teknikleriyle birle\u015fmi\u015ftir.<\/div>\n
\u00c7ini Sanat\u0131: Kum ve tebe\u015fir gibi maddelerle \u00fcretilen levha ya da kaplar\u0131n s\u0131rlan\u0131p f\u0131r\u0131nlanmas\u0131yla yap\u0131lan geleneksel s\u00fcsleme sanat\u0131d\u0131r. \u0130znik, K\u00fctahya ve Bursa \u00e7inicili\u011fin tarihi merkezleridir.<\/div>\n
\u2022 Seramik ve \u00c7\u00f6mlek\u00e7ilik: Topra\u011f\u0131n \u015fekillendirilerek pi\u015firilmesiyle yap\u0131lan, hem estetik hem de g\u00fcnl\u00fck kullan\u0131ma y\u00f6nelik nesne \u00fcretimidir.<\/div>\n
c-Dokuma ve El Sanatlar\u0131<\/div>\n
G\u00f6\u00e7ebe k\u00fclt\u00fcr\u00fcn en canl\u0131 ta\u015f\u0131y\u0131c\u0131s\u0131 olan dokumalar, motifleriyle birer sessiz ileti\u015fim arac\u0131 olmu\u015ftur.<\/div>\n
\u2022 Hal\u0131 ve Kilim Dokumac\u0131l\u0131\u011f\u0131: T\u00fcrklerin d\u00fcnya sanat\u0131na en b\u00fcy\u00fck katk\u0131lar\u0131ndan biridir. Kendine \u00f6zg\u00fc “G\u00f6rdes d\u00fc\u011f\u00fcm\u00fc” (T\u00fcrk d\u00fc\u011f\u00fcm\u00fc) ve geometrik\/bitkisel motiflerle \u00f6r\u00fcl\u00fcr.<\/div>\n
\u2022 Ah\u015fap, Ta\u015f ve Metal \u0130\u015f\u00e7ili\u011fi: Camilerde, saraylarda ve kervansaraylarda s\u0131k\u00e7a g\u00f6r\u00fclen k\u00fcndekari (\u00e7ivisiz ah\u015fap birle\u015ftirme), bak\u0131rc\u0131l\u0131k, telkari (g\u00fcm\u00fc\u015f i\u015fleme) ve ta\u015f oymac\u0131l\u0131\u011f\u0131 gibi zanaatlar\u0131 kapsar<\/div>\n
T\u00fcrk sanat\u0131nda \u0130slam sanat\u0131n\u0131n ve \u0130slamiyet’in \u00e7ok k\u00f6kl\u00fc, d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc bir etkisi vard\u0131r.<\/div>\n
T\u00fcrklerin 9. y\u00fczy\u0131ldan itibaren \u0130slam dinini benimsemeye ba\u015flamas\u0131yla, g\u00f6\u00e7ebe ya\u015fam tarz\u0131na dayal\u0131 erken d\u00f6nem T\u00fcrk sanat\u0131 (hayvan \u00fcslubu, ta\u015f\u0131nabilir e\u015fyalar, balballar) yerini kal\u0131c\u0131, kurumsalla\u015fm\u0131\u015f ve inan\u00e7 eksenli bir T\u00fcrk-\u0130slam sanat\u0131 sentezine b\u0131rakm\u0131\u015ft\u0131r.<\/div>\n
Bu etkile\u015fim tek tarafl\u0131 kalmam\u0131\u015f; T\u00fcrkler de kendi estetik anlay\u0131\u015flar\u0131n\u0131 \u0130slam sanat\u0131na katarak ona y\u00f6n vermi\u015flerdir.<\/div>\n
\u0130slamiyet’in T\u00fcrk sanat\u0131ndaki en belirgin etkileri \u015fu alanlarda g\u00f6r\u00fcl\u00fcr:<\/div>\n
1. Mimari ve Yap\u0131 Sanat\u0131:<\/div>\n
\u0130slamiyet ile birlikte T\u00fcrkler kal\u0131c\u0131, b\u00fcy\u00fck dini ve sosyal yap\u0131lar in\u015fa etmeye ba\u015flam\u0131\u015flard\u0131r. Karahanl\u0131lar, Gazneliler, Sel\u00e7uklular ve Osmanl\u0131lar d\u00f6neminde cami, medrese, t\u00fcrbe, kervansaray ve k\u00fclliyeler T\u00fcrk mimarisinin ana odak noktas\u0131 haline gelmi\u015ftir.<\/div>\n
Kubbe ve kemer formlar\u0131 geli\u015ftirilmi\u015f, mimari yap\u0131lar devasa an\u0131tlara d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr.<\/div>\n
2. S\u00fcsleme ve El Sanatlar\u0131:<\/div>\n
\u0130slam inanc\u0131ndaki tasvir anlay\u0131\u015f\u0131 (canl\u0131 fig\u00fcrlerinden ka\u00e7\u0131nma e\u011filimi), T\u00fcrklerin soyut ve geometrik s\u00fcslemelere y\u00f6nelmesini sa\u011flam\u0131\u015ft\u0131r.<\/div>\n
\u2022 Hat Sanat\u0131: Kur’an-\u0131 Kerim’i en g\u00fczel \u015fekilde yazma gayesiyle geli\u015fen bu kaligrafi dal\u0131nda T\u00fcrk hat sanat\u00e7\u0131lar\u0131 d\u00fcnya \u00e7ap\u0131nda ekoller yaratm\u0131\u015ft\u0131r.<\/div>\n
\u2022 Tezhip: El yazmas\u0131 kitaplar\u0131, \u00f6zellikle Kur’an sayfalar\u0131n\u0131 alt\u0131n tozlar\u0131 ve boyalarla s\u00fcsleme sanat\u0131 zirveye ta\u015f\u0131nm\u0131\u015ft\u0131r.<\/div>\n
\u2022 \u00c7ini ve Seramik: Camilerin, saraylar\u0131n ve t\u00fcrbelerin i\u00e7 ile d\u0131\u015f mekanlar\u0131n\u0131 kaplayan \u00e7ini sanat\u0131, \u0130slam esteti\u011finin bitkisel (rumi, hatayi) ve geometrik motifleriyle \u015fekillenmi\u015ftir.<\/div>\n
3. Resim ve Minyat\u00fcr Sanat\u0131:<\/div>\n
\u0130slamiyet \u00f6ncesi Uygurlar d\u00f6neminde var olan kitap resmi (minyat\u00fcr) gelene\u011fi, \u0130slamiyet sonras\u0131nda boyutsuz, g\u00f6lgesiz ve perspektifsiz bir anlat\u0131m tarz\u0131yla yeniden \u015fekillenmi\u015ftir. T\u00fcrk minyat\u00fcr sanat\u0131; tarihi olaylar\u0131, saray ya\u015fam\u0131n\u0131 ve edebi eserleri dini kurallara ve d\u00f6nemin estetik kal\u0131plar\u0131na uygun \u015fekilde tasvir etmi\u015ftir.<\/div>\n
\u0130slam’la tan\u0131\u015fmadan \u00f6nce T\u00fcrkler ekonomik yap\u0131lar\u0131 ve ya\u015fam tarzlar\u0131ndan dolay\u0131 genellikle ta\u015f\u0131nabilir sanat eserleri ortaya koymu\u015flard\u0131r.<\/div>\n
T\u00fcrkler kulland\u0131klar\u0131 g\u00fcndelik e\u015fyalar, k\u0131l\u0131\u00e7 kabzalar\u0131, kemer tokalar\u0131 ve silahlar\u0131n \u00fczerine hayvan fig\u00fcrleri \u00e7izmi\u015flerdir.<\/div>\n
T\u00fcrklerde \u00e7ad\u0131r sanat\u0131, dokuma sanat\u0131 (hal\u0131 kilim) deri sanat\u0131, maden i\u015flemecili\u011fi geli\u015fmi\u015ftir. Ayr\u0131ca sanatta bitki motifleri, geometrik desenleri kullanm\u0131\u015flard\u0131r.<\/div>\n
Eski T\u00fcrklerde ba\u015flang\u0131\u00e7ta \u00f6len insanlar\u0131n mezarlar\u0131n\u0131n \u00e7evresine dikilen Balbal ad\u0131 verilen ta\u015flar zamanla 10 metrelik heykeller haline d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr.<\/div>\n
Uygurlar yerle\u015fik ya\u015fama ge\u00e7melerine ba\u011fl\u0131 olarak tap\u0131nak, saray gibi kal\u0131c\u0131 mimari eserler olu\u015fturmu\u015flard\u0131r.<\/div>\n
Ortaya koyduklar\u0131 kubbeli yap\u0131 ve k\u00f6\u015fe \u00fc\u00e7genlerinin esin kayna\u011f\u0131 T\u00fcrk \u00e7ad\u0131rlar\u0131d\u0131r.<\/div>\n
Uygurlarda duvar resmi (Fresko) ve minyat\u00fcr sanat\u0131 olduk\u00e7a geli\u015fmi\u015ftir.<\/div>\n
Uygur ressamlar\u0131na Bedizci denmi\u015ftir.<\/div>\n
Uygurlar T\u00fcrk tarihinde orta oyunu yani tiyatronun temelini atm\u0131\u015ft\u0131r.<\/div>\n
T\u00fcrklerde T\u00fcrk m\u00fczi\u011finin ilk \u00f6rnekleri kopuz e\u015fli\u011finde s\u00f6ylenen t\u00fcrk\u00fclerdir.<\/div>\n
T\u00fcrklerde Sanat anlay\u0131\u015f\u0131 \u0130slamiyet’i kabul ettikten sonra apayr\u0131 bir h\u00fcviyet kazanm\u0131\u015ft\u0131r.<\/div>\n
\u0130slamiyet g\u00fczel sanatlar\u0131n koruyucusudur.<\/div>\n
Bu g\u00fczellik ve estetik duygusudur, ki, \u0130stanbul’u yeni ba\u015ftan kuran Mimar Sinan’a S\u00fcleymaniye’yi\u2026<\/div>\n
Sedefkar Mehmet A\u011fa’ya Sultanahmed’\u0130\u2026<\/div>\n
Itri Dede Efendi’ye e\u015fsiz bestelerini\u2026<\/div>\n
\u0130nce hat ustalar\u0131na, eski yaz\u0131 sanatkarlar\u0131na hat sanat\u0131n\u0131n kal\u0131c\u0131 muhte\u015fem eserlerini yapt\u0131rm\u0131\u015ft\u0131r.<\/div>\n
Okuyu\u015f ve s\u00f6yleyi\u015fi sanatla\u015ft\u0131rarak doyurucu beste ve s\u00f6yleyi\u015fleri, yaz\u0131 ve yazmay\u0131 sanatla\u015ft\u0131rarak as\u0131rlar boyunca solmayan kufi, s\u00fcl\u00fcs, nesih, talik, divani gibi hat \u00e7e\u015fitlerini ortaya koyan anlay\u0131\u015f, bu intizaml\u0131 ve d\u00fczenli ya\u015fama prensibinden do\u011fmu\u015ftur.<\/div>\n
Ge\u00e7enlerde bir televizyon program\u0131nda “\u0130znik’te \u00e7inicilik” \u00e7al\u0131\u015fmalar\u0131yla ilgili bir program izlemi\u015ftim.<\/div>\n
Bu programda eski \u0130slam sanat\u00e7\u0131lar\u0131n\u0131n ortaya koydu\u011fu \u00e7ini s\u00fcslemecili\u011finde kullan\u0131lan boyalar \u00fczerinde \u00e7al\u0131\u015fmalar yap\u0131l\u0131yordu…<\/div>\n
G\u00fcn\u00fcm\u00fcz\u00fcn \u00e7ini ustalar\u0131 eski d\u00f6nemde kullan\u0131lan ve hi\u00e7 bozulmayan boyalar\u0131n nas\u0131l yap\u0131ld\u0131\u011f\u0131n\u0131 hala anlayamad\u0131klar\u0131n\u0131 anlat\u0131yordu.<\/div>\n
\u0130slamiyet’in sanata verdi\u011fi \u00f6nemi kavrayan T\u00fcrkler, \u015fu anda yap\u0131lmas\u0131 g\u00fc\u00e7 olan eserler v\u00fccuda getirmi\u015fti.<\/div>\n
\u0130slamiyet daima g\u00fczel sanatlar\u0131n koruyucusu olmu\u015ftur.<\/div>\n
Dinimiz her insan\u0131 g\u00fczeli bulmak, g\u00fczel ya\u015famak g\u00f6revi ile y\u00fck\u00fcml\u00fc tutmu\u015ftur.<\/div>\n
Bu bak\u0131mdan M\u00fcsl\u00fcmanl\u0131k T\u00fcrklerde oldu\u011fu gibi girdi\u011fi her \u00fclkenin sadece dinini de\u011fil, sosyal ve k\u00fclt\u00fcrel durumunu da etkilemi\u015ftir.<\/div>\n
\u0130slamiyet’in Mekke’de e\u015fi g\u00f6r\u00fclmemi\u015f bir edebiyat ve \u015fiir denizi \u00fczerine do\u011fdu\u011funu s\u00f6ylemek yanl\u0131\u015f de\u011fildir.<\/div>\n
\u0130slamiyet’in ana kayna\u011f\u0131 Kur’an-\u0131 Kerim, Arap dilinin en g\u00fczel eserlerini verdi\u011fi b\u00f6yle bir ortamda ifade sanat\u0131n\u0131n en veciz, en e\u015fsiz \u00f6rne\u011fi olarak indirilmi\u015ftir.<\/div>\n
Kur’an’\u0131n geli\u015fi; K\u00e2be duvar\u0131na alt\u0131n m\u00fcrekkeple yaz\u0131larak as\u0131lan \u015fairlerin \u015fiirlerini g\u00f6zden d\u00fc\u015f\u00fcrm\u00fc\u015f, o d\u00f6nemde \u0130mrul Kays, Tarafa, Z\u00fcheyr gibi \u00fcnl\u00fc \u015fairler yeti\u015ftiren Arap \u015fiiri, Kur’an’\u0131n e\u015fsiz ifadesi ve icaz\u0131 kar\u015f\u0131s\u0131nda g\u00f6lgede kalm\u0131\u015ft\u0131r.<\/div>\n
\u0130slamiyet’ten \u00f6nce zirveye ula\u015fan g\u00fczel s\u00f6z s\u00f6yleme ve \u015fiir gelene\u011fi Kur\u2019an-\u0131 Kerim’in geli\u015finden sonra da devam etmi\u015ftir.<\/div>\n
Edebiyat ve \u015fiir \u0130slam d\u00fcnyas\u0131nda g\u00fczel sanatlar alan\u0131nda hemen daima \u00fczerinde durulan bir sanat dal\u0131 olmu\u015ftur.<\/div>\n
\u0130slamiyet’in g\u00fczel sanatlara verdi\u011fi \u00f6nem sadece \u015fiir ve edebiyattan ibaret de\u011fildir.<\/div>\n
\u0130slam ve T\u00fcrk sanatkarlar\u0131 g\u00fczel sanatlar\u0131n her dal\u0131nda, resimde, mimaride, plastik sanatlarda, hat ve musikide \u00e7ok g\u00fczel eserler vermi\u015flerdir.<\/div>\n
\u0130slamiyet’in sanat anlay\u0131\u015f\u0131 T\u00fcrklerde estetik duygusunun ortaya \u00e7\u0131k\u0131\u015f\u0131d\u0131r.<\/div>\n
Her sanatk\u00e2r bu g\u00fczellik duygusunu kendi anlay\u0131\u015f\u0131na g\u00f6re geli\u015ftirmi\u015f, kendisini emperyalist bir ba\u011fla kay\u0131tl\u0131 g\u00f6rmemi\u015ftir.<\/div>\n
Bu sebeple \u0130sl\u00e2miyet\u2019i kabul eden milletlerin \u00f6mr\u00fc, sanat karakterleri, \u0130slamiyet\u2019in sanat anlay\u0131\u015f\u0131 i\u00e7erisinde erimemi\u015ftir.<\/div>\n
Bilakis \u0130slam\u2019\u0131n sanat anlay\u0131\u015f\u0131yla birle\u015ferek serpilip geli\u015fmi\u015ftir.<\/div>\n
G\u00fczel sanatlar\u0131n her b\u00f6l\u00fcm\u00fcnde her sanatk\u00e2r kendi \u00fclkesinin ortaya koydu\u011fu sanat temeli \u00fczerinden kendi ayr\u0131 \u00fcslubunu kazanm\u0131\u015f ve devam ettirmi\u015ftir.<\/div>\n
Bug\u00fcn bile \u00c7in’deki bir cami ile \u0130ran ve Hindistan’daki cami aras\u0131nda bir T\u00fcrk mimarisi ile bir Arap ve \u0130ran mimarisi aras\u0131ndaki \u00fcslup fark\u0131n\u0131 g\u00f6rmemek imk\u00e2ns\u0131zd\u0131r.<\/div>\n
\u0130slam sanat\u0131 i\u00e7erisinde serpilip b\u00fcy\u00fcyen T\u00fcrk Sanat\u0131; Sadelik, ahenk ve mant\u0131k kurallar\u0131na uygun olu\u015fu ile varl\u0131\u011f\u0131n\u0131 b\u00fct\u00fcn d\u00fcnyaya duyurmu\u015ftur.<\/div>\n
T\u00fcrk sanat\u0131; T\u00fcrklerin Anadolu topraklar\u0131na geli\u015flerinden itibaren, g\u00fcn\u00fcm\u00fcze kadar ge\u00e7en s\u00fcre i\u00e7erisinde bu co\u011frafi b\u00f6lgede olu\u015fturduklar\u0131 t\u00fcm g\u00f6rsel sanat eserlerini tan\u0131mlamak amac\u0131yla kullan\u0131lan bir terimdir.<\/div>\n
Anadolu topraklar\u0131, T\u00fcrklerden \u00f6nce de Hititliler, Eski Yunanlar ve Bizansl\u0131lar da dahil olmak \u00fczere, pek \u00e7ok medeniyete ev sahipli\u011fi yapm\u0131\u015f, bu k\u00fclt\u00fcrlerinde \u00fcretti\u011fi pek \u00e7ok sanat eserini bar\u0131nd\u0131rm\u0131\u015ft\u0131r.<\/div>\n
T\u00fcrk sanatlar\u0131nda, \u00f6zellikle Anadolu co\u011frafyas\u0131nda 16 ve 17’nci y\u00fczy\u0131llarda h\u00e2kim olan, Osmanl\u0131 \u0130mparatorlu\u011fu eserleri de T\u00fcrk sanatlar\u0131 olarak kabul g\u00f6rmektedir.<\/div>\n
Bu d\u00f6nemde sanat eserlerinin pek \u00e7o\u011fu Osmanl\u0131 \u0130mparatorlu\u011fu saray\u0131 ile ili\u015fkilendirilmektedir.<\/div>\n
Osmanl\u0131 mimarisinin zengin saraylar\u0131, camilerdeki ve t\u00fcrbelerdeki mozolelerin i\u00e7 mekanlar\u0131 genellikle renkli fayanslar ile Avrupa, Asya ve geleneksel islami tarzlar birle\u015ftirilerek olu\u015fturulmu\u015ftur.<\/div>\n
G\u00fcn\u00fcm\u00fczde T\u00fcrk sanatlar\u0131na \u00f6rnek olarak T\u00fcrk mimarisi, \u00e7inicilik, hat sanat\u0131, kilim ve hal\u0131 dokuma verilebilir<\/div>\n
T\u00fcrk sanatk\u00e2rlar\u0131 \u0130slamiyetin \u0130man co\u015fkunluklar\u0131n\u0131 mimari zevkleri ile mermere; Yaz\u0131 ve hat zevkleri ile sayfalara b\u00fcy\u00fck bir incelikle i\u015fleyerek imanlar\u0131n\u0131 abidele\u015ftirmi\u015flerdir.<\/div>\n
T\u00fcrk \u0130slam medeniyetinde g\u00fczel sanatlar\u0131n her dal\u0131nda g\u00f6r\u00fclen e\u015fsiz g\u00fczellikler bunun ispat\u0131d\u0131r<\/div>\n
T\u00fcrk sanat\u0131 \u0130slam sanat\u0131 ile tan\u0131\u015ft\u0131ktan sonra serpilip geli\u015fmi\u015ftir.<\/div>\n
Ho\u015f\u00e7a kal\u0131n\u0131z.<\/div>\n<\/div>\n
<\/div>\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n
<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

T\u00fcrk sanat\u0131, Orta Asya’dan g\u00fcn\u00fcm\u00fcze kadar uzanan tarihi s\u00fcre\u00e7te, T\u00fcrk topluluklar\u0131n\u0131n ve devletlerinin (Uygur, Sel\u00e7uklu, Osmanl\u0131 ve T\u00fcrkiye Cumhuriyeti) \u00fcretti\u011fi t\u00fcm g\u00f6rsel, mimari ve el sanatlar\u0131n\u0131 kapsayan zengin bir k\u00fclt\u00fcrel mirast\u0131r. \u0130slam \u00f6ncesi d\u00f6nemde g\u00f6\u00e7ebe ya\u015fam\u0131n getirdi\u011fi ta\u015f\u0131nabilir fig\u00fcratif \u00f6geler ve hayvan \u00fcslubuyla \u015fekillenen bu sanat, Anadolu’ya ge\u00e7i\u015f ve \u0130slamiyet’in kabul\u00fcyle birlikte Orta Do\u011fu, Akdeniz […]<\/p>\n","protected":false},"author":11,"featured_media":142198,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-143094","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gazi-mert"],"views":40,"_links":{"self":[{"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/posts\/143094","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/comments?post=143094"}],"version-history":[{"count":1,"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/posts\/143094\/revisions"}],"predecessor-version":[{"id":143095,"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/posts\/143094\/revisions\/143095"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/media\/142198"}],"wp:attachment":[{"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/media?parent=143094"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/categories?post=143094"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/tags?post=143094"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}