{"id":112027,"date":"2025-10-15T10:50:25","date_gmt":"2025-10-15T07:50:25","guid":{"rendered":"https:\/\/mersingazetesi.com\/?p=112027"},"modified":"2025-10-15T10:50:25","modified_gmt":"2025-10-15T07:50:25","slug":"kultur-varliklarimiza-sahip-cikmaliyiz","status":"publish","type":"post","link":"https:\/\/mersingazetesi.com\/index.php\/2025\/10\/15\/kultur-varliklarimiza-sahip-cikmaliyiz\/","title":{"rendered":"K\u00dcLT\u00dcR VARLIKLARIMIZA SAH\u0130P \u00c7IKMALIYIZ"},"content":{"rendered":"
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K\u00fclt\u00fcr varl\u0131klar\u0131m\u0131z\u0131n, Milli benli\u011fimizin ve edebiyat\u0131m\u0131z\u0131n de\u011fi\u015fmez temel ta\u015flar\u0131 Tema\u015fa sanat\u0131, Meddah, Hacivat-Karag\u00f6z, Tasavvuf Musikisi, Sema g\u00f6sterileri, Hayal sahnesi, Fas\u0131l heyeti, Kukla vs\u2019dir.<\/div>\n
Bunlardan biri Hacivat \u2013 Karag\u00f6z\u2019d\u00fcr\u2026<\/div>\n
Hacivat ve Karag\u00f6z kimdir? Ya\u015fam\u0131\u015f m\u0131d\u0131r, ya\u015famam\u0131\u015f m\u0131d\u0131r?. Yoksa bir hayal \u00fcr\u00fcn\u00fc m\u00fcd\u00fcr?..<\/div>\n
Edebiyat ve tarih kitaplar\u0131nda belirtildi\u011fine g\u00f6re; Hacivat ve Karag\u00f6z Ramazan e\u011flencelerinin ba\u015f\u00a0kahramanlar\u0131ndand\u0131r\u2026<\/div>\n
Bizim \u00e7ocuklu\u011fumuzda bundan 60 -70 y\u0131l \u00f6nce k\u00f6y ilkokullar\u0131m\u0131za kadar gelen sanat\u00e7\u0131lar KARAG\u00d6Z oynat\u0131rlard\u0131\u2026<\/div>\n
\u015eimdi bu tarihi oyunumuzu Yunanl\u0131lar kendilerine mal etmeye \u00e7al\u0131\u015f\u0131yorlar\u2026<\/div>\n
Hatta Yunanl\u0131lar\u0131n bu oyunumuzu kendilerine mal ettiklerine \u015fahit oluyoruz\u2026<\/div>\n
Buradan K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131m\u0131z\u0131, Mill\u00ee E\u011fitim Bakanl\u0131\u011f\u0131m\u0131z\u0131, di\u011fer ilgili bakanl\u0131klar ve ilgili sivil \u00f6rg\u00fctlerini g\u00f6reve \u00e7a\u011f\u0131r\u0131yoruz;<\/div>\n
K\u00fclt\u00fcr miraslar\u0131m\u0131za \u00f6zellikle Hacivat-Karag\u00f6z oyunumuza sahip \u00e7\u0131k\u0131n\u0131z\u2026<\/div>\n
Hacivat-Karag\u00f6z oyunu bizim k\u00fclt\u00fcr miras\u0131m\u0131zd\u0131r\u2026<\/div>\n
Milli, benliklerimize ve K\u00fclt\u00fcr miraslar\u0131m\u0131za sahip \u00e7\u0131kmak en b\u00fcy\u00fck g\u00f6revimiz olmal\u0131d\u0131r\u2026<\/div>\n
Son y\u0131llar\u0131n en g\u00fcncel sorular\u0131ndan biri; Hacivat ve Karag\u00f6z T\u00fcrklerin midir yoksa Yunanl\u0131lar\u0131n m\u0131d\u0131r?<\/div>\n
Ger\u00e7ek \u015fudur:<\/div>\n
Hacivat ve Karag\u00f6z ikinci Osmanl\u0131 Padi\u015fah\u0131 Orhan Gazi zaman\u0131nda ya\u015fam\u0131\u015ft\u0131r\u2026<\/div>\n
Orhan Gazi; 1324 \u2013 1326 y\u0131llar\u0131 aras\u0131nda Padi\u015fahl\u0131k yapt\u0131\u011f\u0131na g\u00f6re demek ki Hacivat ve Karag\u00f6z bu y\u0131llarda ya\u015fam\u0131\u015ft\u0131r\u2026<\/div>\n
Rivayete g\u00f6re Orhangazi Bursa\u2019da bir Cami yapt\u0131rmaktad\u0131r\u2026<\/div>\n
Bu Camiinin in\u015faat\u0131nda Karag\u00f6z ad\u0131nda bir i\u015f\u00e7i \u00e7al\u0131\u015fmaktad\u0131r. Karag\u00f6z; Duvar ta\u015flar\u0131n\u0131 demir kenetlerle birbirine ba\u011flamaktad\u0131r\u2026<\/div>\n
Ayn\u0131 in\u015faatta arkada\u015f\u0131 Hac\u0131 \u0130vad (Hacivat) da \u00e7al\u0131\u015fmaktad\u0131r\u2026<\/div>\n
Karag\u00f6zle Hacivat\u2019\u0131n birbirleriyle \u015fakala\u015fmalar\u0131, i\u015f\u00e7ilerin de onlar\u0131n hallerine g\u00fcl\u00fcp \u00e7al\u0131\u015fmay\u0131 aksatmalar\u0131 y\u00fcz\u00fcnden i\u015fler ilerlememektedir\u2026<\/div>\n
Orhan Gazi in\u015faat\u0131 gezerken in\u015faat\u0131n ilerlemedi\u011fini g\u00f6r\u00fcnce mimarba\u015f\u0131y\u0131 sorguya \u00e7eker\u2026<\/div>\n
Mimarba\u015f\u0131 Hacivat\u2019la Karag\u00f6z\u2019\u00fcn durumunu anlat\u0131r\u2026<\/div>\n
Padi\u015fah k\u0131zm\u0131\u015ft\u0131r. Her ikisini de huzuruna \u00e7a\u011f\u0131r\u0131r. Bir hamam muhaveresi yapt\u0131r\u0131r. Oyun ho\u015funa gider. \u0130\u015fin s\u00fcr\u00fcncemede kalmas\u0131na da g\u00f6z yummaz. Onlar\u0131 uyar\u0131r\u2026<\/div>\n
Birka\u00e7 g\u00fcn sonra yine in\u015faat\u0131 kontrole gider\u2026<\/div>\n
Bakar ki yine ilerleme yok\u2026<\/div>\n
Mimarba\u015f\u0131 ayn\u0131 mazereti anlat\u0131nca Hacivat ve Karag\u00f6z\u2019\u00fcn idam edilmelerini emreder\u2026<\/div>\n
Bunu duyan Karag\u00f6z : \u201cAdam sen de\u2026\u201ddiyerek sol eliyle sakal\u0131n\u0131 tutup sa\u011f elini sallar\u2026<\/div>\n
Hacivat ise iki elini yumruk yap\u0131p \u00fcst \u00fcste vurarak : \u201cTa\u015f-ta\u015f \u00fcst\u00fcnde kalmas\u0131n\u2026\u201dder\u2026<\/div>\n
\u0130kisi de Padi\u015fah\u2019\u0131n emriyle idam edilir\u2026<\/div>\n
Orhan Gazi sonradan Hacivat\u2019la Karag\u00f6z\u2019\u00fc idam ettirdi\u011fine pi\u015fman olmu\u015ftur\u2026<\/div>\n
Buhara\u2018n\u0131n K\u00fcster kasabas\u0131ndan gelen \u015eeyh K\u00fcsteri, Hacivat\u2019la Karag\u00f6z\u2019\u00fcn hayallerini perdeye aksettirip konu\u015fturarak Padi\u015fah\u2019\u0131n \u00fcz\u00fcnt\u00fcs\u00fcn\u00fc hafifletir\u2026<\/div>\n
O d\u00f6nemden bug\u00fcne kadar T\u00fcrkler bu hayal oyununu Ramazan e\u011flencelerinde bile ya\u015fatm\u0131\u015f ve Karag\u00f6z\u2019\u00fcn \u015fahs\u0131nda onu milli bir h\u00fcviyete sokmu\u015ftur\u2026<\/div>\n
Karag\u00f6z; Cahil fakat temiz, saf ruhlu T\u00fcrk halk\u0131n\u0131 temsil eder\u2026<\/div>\n
Hacivat ise halktan kopmu\u015f, ayd\u0131n bir tiptir\u2026<\/div>\n
K\u00fclt\u00fcr miraslar\u0131m\u0131zdan, k\u00fclt\u00fcr varl\u0131klar\u0131m\u0131zdan biri de Nasreddin Hoca\u2019d\u0131r\u2026<\/div>\n
Nasrettin Hoca\u2019n\u0131n da bir k\u00fclt\u00fcr varl\u0131\u011f\u0131m\u0131z olarak Ramazan \u015eenlikleri i\u00e7inde yer almas\u0131 yine Edebiyat\u0131m\u0131z a\u00e7\u0131s\u0131ndan, Ramazan e\u011flenceleri a\u00e7\u0131s\u0131ndan \u00e7ok \u00f6nemlidir\u2026<\/div>\n
Baz\u0131 \u00fclkeler hayali kahramanlar ortaya atarak insanlar\u0131n\u0131 y\u00f6nlendirmeye \u00e7al\u0131\u015f\u0131rlar\u2026<\/div>\n
Bizde de f\u0131kralar\u0131 dillere destan bir Nasrettin Hoca var\u2026<\/div>\n
Nasrettin Hoca; F\u0131kralar\u0131 ile \u00fcnl\u00fc, mizah ustas\u0131 bir edebiyat\u00e7\u0131d\u0131r\u2026<\/div>\n
Her y\u0131l 5-10 Temmuz tarihleri aras\u0131nda Ak\u015fehir’de Nasrettin Hoca \u015fenlikleri yap\u0131lmaktad\u0131r\u2026<\/div>\n
Bu \u015fenliklerde Ak\u015fehir g\u00f6l\u00fcne yo\u011furt mayas\u0131 \u00e7al\u0131nmaktad\u0131r\u2026<\/div>\n
Nasrettin Hoca\u2019n\u0131n ya\u015famad\u0131\u011f\u0131n\u0131, hayali bir kahraman oldu\u011funu iddia eden Edebiyat\u00e7\u0131lar, tarih\u00e7iler de vard\u0131r\u2026<\/div>\n
Oysa Nasrettin Hoca bir hayal kahraman\u0131 de\u011fildir, ger\u00e7ektir\u2026<\/div>\n
Nasrettin Hoca; Sivrihisar\u2019a yak\u0131n Harto k\u00f6y\u00fcnde 1208 y\u0131l\u0131nda do\u011fmu\u015ftur\u2026<\/div>\n
Babas\u0131 k\u00f6y\u00fcn imam\u0131d\u0131r\u2026<\/div>\n
Nasrettin hoca; Babas\u0131n\u0131n \u00f6l\u00fcm\u00fcnden sonra Harto\u2019da imaml\u0131k yapm\u0131\u015ft\u0131r\u2026<\/div>\n
Bu g\u00f6rev k\u0131sa s\u00fcrm\u00fc\u015f ve 1237 y\u0131l\u0131nda Ak\u015fehir\u2019e yerle\u015ferek \u00fcnl\u00fc mutasavv\u0131f Seyyid Mahmut Hayr\u00e2n\u00ee\u2019ye intisap etmi\u015f ve 1284\u2019de Ak\u015fehir’de vefat etmi\u015ftir\u2026<\/div>\n
T\u00fcrbesi Ak\u015fehir\u2019dedir\u2026<\/div>\n
Nasrettin Hoca\u2019n\u0131n f\u0131kralar\u0131 yediden yetmi\u015fe her T\u00fcrk insan\u0131 taraf\u0131ndan sevilmekte ve bu f\u0131kralar Nasrettin Hoca ile halk\u0131m\u0131z\u0131n ortak mal\u0131 olarak ya\u015famaktad\u0131r\u2026<\/div>\n
Nasrettin Hoca; Herhangi bir g\u00fc\u00e7 durumdan kurtulmak i\u00e7in yalana, a\u00e7g\u00f6zl\u00fcl\u00fc\u011fe, k\u00fc\u00e7\u00fck hesaplara ba\u015fvurmadan her yapt\u0131\u011f\u0131n\u0131 sa\u011fduyuya, ahlak esaslar\u0131na dayand\u0131r\u0131r\u2026<\/div>\n
T\u00fcrk insan\u0131 Nasrettin Hoca\u2019ya; Filozofluk, ermi\u015flik payesi vermi\u015ftir\u2026<\/div>\n
Bat\u0131 edebiyat\u0131nda O; \u201cHayat\u0131n manas\u0131n\u0131 mizahla yorumlayan bir hikmet eri\u201d olarak tan\u0131mlan\u0131r\u2026<\/div>\n
O\u2019nun g\u00fcld\u00fcr\u00fcc\u00fc f\u0131kralar\u0131n\u0131n amac\u0131 insanl\u0131\u011fa ders vermek veya bir d\u00fczensizli\u011fi g\u00f6z \u00f6n\u00fcne sermektir\u2026<\/div>\n
Nasrettin Hoca; becerikli, \u00e7al\u0131\u015fkan ve hareketlidir. Odun keser hayvan y\u00fckler, bu\u011fday\u0131 de\u011firmene g\u00f6t\u00fcr\u00fcr ,e\u015fe\u011fiyle pazara ta\u015f\u0131n\u0131r, al\u0131\u015f-veri\u015f yapar, imaml\u0131k yapar, kad\u0131l\u0131k yapar, davetlerde haz\u0131r bulunur, d\u00fc\u011f\u00fcnlerde, \u00fcz\u00fcnt\u00fcde, sevin\u00e7te O vard\u0131r. Kanunlara sayg\u0131l\u0131d\u0131r. Y\u0131k\u0131c\u0131 de\u011fil, yap\u0131c\u0131d\u0131r. Sab\u0131rl\u0131 ve ho\u015fg\u00f6r\u00fcl\u00fcd\u00fcr. F\u0131kralar\u0131nda M\u00fcsl\u00fcmanl\u0131\u011f\u0131n t\u00fcm \u00f6zelliklerini yans\u0131t\u0131r. Zengin bir ki\u015filik g\u00f6r\u00fcnt\u00fcs\u00fc yoktur. \u00c7apk\u0131nl\u0131\u011fa, ahlaks\u0131zl\u0131\u011fa, iffetsizli\u011fe y\u00f6nelik f\u0131kralar\u0131 yoktur. F\u0131kralar\u0131ndaki sonu\u00e7; Ahlak, adet ve terbiyeye z\u0131tl\u0131k g\u00f6stermez\u2026<\/div>\n
Nasrettin Hoca hayali bir kahraman de\u011fil, T\u00fcrkl\u00fc\u011f\u00fcn b\u00fcy\u00fck mizah sembol\u00fcd\u00fcr\u2026<\/div>\n
Ramazan e\u011flenceleri i\u00e7inde sergilenen tema\u015fa sanatlar\u0131, Meddahlar, Orta Oyunlar\u0131, Kuklalar, Hacivat-Karag\u00f6z\u2019ler, Nasrettin Hoca\u2019lar birer Tiyatro \u00fcr\u00fcn\u00fcd\u00fcr\u2026<\/div>\n
Tiyatro; Edebiyat\u0131m\u0131zda \u00f6nemli bir b\u00f6l\u00fcm olarak tan\u0131mlan\u0131r\u2026<\/div>\n
Tiyatro; Seyirci grubu \u00f6n\u00fcnde, oyuncular\u0131n temsil etmesi i\u00e7in yaz\u0131lan eserlere verilen isimdir\u2026<\/div>\n
T\u00fcrklerde s\u00f6zl\u00fc tiyatro gelene\u011fi \u0130lk\u00e7a\u011flardan g\u00fcn\u00fcm\u00fcze kadar gelmi\u015ftir\u2026<\/div>\n
Yaz\u0131l\u0131 tiyatro eserleri 19\u2019uncu y\u00fczy\u0131l ortalar\u0131nda g\u00f6r\u00fclmeye ba\u015flam\u0131\u015ft\u0131r\u2026<\/div>\n
T\u00fcrkler M\u00fcsl\u00fcmanl\u0131\u011f\u0131 kabul ettikten sonra hem yaz\u0131l\u0131 hem s\u00f6zl\u00fc tiyatro \u00e7e\u015fitleri ortaya koymu\u015flard\u0131r\u2026<\/div>\n
S\u00f6zl\u00fc tiyatro \u00e7e\u015fitleri; Meddahl\u0131k, Karag\u00f6z ve ortaoyunu \u015feklindedir\u2026<\/div>\n
Meddahl\u0131k; Oyuncunun tek ba\u015f\u0131na haz\u0131rlay\u0131p y\u00fcr\u00fctt\u00fc\u011f\u00fc tiyatro \u015feklidir\u2026<\/div>\n
Karag\u00f6z; Beyaz perde \u00fczerine birtak\u0131m tasvirlerin g\u00f6lgelerini yans\u0131tmak suretiyle g\u00f6sterilen tema\u015fa \u00e7e\u015fididir\u2026<\/div>\n
Ortaoyunu ise; Milli bir tiyatro \u00e7e\u015fidi olarak g\u00fcn\u00fcm\u00fcze kadar gelmi\u015ftir\u2026<\/div>\n
T\u00fcrk edebiyat\u0131nda ilk yaz\u0131l\u0131 tiyatro eseri; 19\u2019uncu y\u00fczy\u0131l ba\u015flar\u0131nda yaz\u0131lan 3 perdelik bir tiyatro eseridir\u2026<\/div>\n
\u0130kinci eser 1844 y\u0131l\u0131nda yaz\u0131lm\u0131\u015ft\u0131r\u2026<\/div>\n
Halk\u0131m\u0131z\u0131n tiyatroya g\u00f6sterdi\u011fi itibar \u00fczerine 100\u2019lerce tiyatro eseri yaz\u0131lm\u0131\u015f ve g\u00fcn\u00fcm\u00fcze kadar gelmi\u015ftir\u2026<\/div>\n
T\u00fcrkler M\u00fcsl\u00fcman olmadan \u00f6nce de tiyatro ile ilgilenmi\u015flerdir\u2026<\/div>\n
Bilinen en eski T\u00fcrk tiyatrosu bir sava\u015f\u0131 anlatmaktad\u0131r:<\/div>\n
Sava\u015fa giden bir T\u00fcrk genci, \u00e7ocu\u011fu ile kar\u0131s\u0131n\u0131 evde yaln\u0131z b\u0131rak\u0131r\u2026<\/div>\n
Bir \u00c7inli, kad\u0131na tecav\u00fcz etmek ister\u2026<\/div>\n
Kad\u0131n kahramanca m\u00fccadele ederek, namusunu korur\u2026<\/div>\n
\u00c7inli s\u00fcng\u00fc ile kad\u0131n\u0131n y\u00fcz\u00fcn\u00fc par\u00e7alar\u2026<\/div>\n
Gen\u00e7 asker, daima \u00fczerinde ta\u015f\u0131d\u0131\u011f\u0131 ve u\u011furuna inand\u0131\u011f\u0131 muskay\u0131 almak i\u00e7in geri d\u00f6ner\u2026.<\/div>\n
E\u015finin durumunu g\u00f6r\u00fcnce bunu yapan \u00c7inli\u2019yi bulur ve e\u015finin yan\u0131na getirerek onu \u00f6ld\u00fcr\u00fcr\u2026<\/div>\n
\u0130\u015fte T\u00fcrklerde temsil edilen en eski tiyatro budur\u2026<\/div>\n
T\u00fcrkler M\u00fcsl\u00fcman olmadan \u00f6nce ve M\u00fcsl\u00fcman olduktan sonra Edebiyat\u0131n bir par\u00e7as\u0131 olan Tiyatro\u2019yu ya\u015fatmaya \u00e7al\u0131\u015fm\u0131\u015flard\u0131r\u2026<\/div>\n
T\u00fcrk tarihi d\u00fcnyan\u0131n en eski tarihidir\u2026<\/div>\n
T\u00fcrk Milleti 2.200 y\u0131ldan fazla tarih sahnesindedir\u2026<\/div>\n
Bu 22 as\u0131rl\u0131k s\u00fcre i\u00e7erisinde T\u00fcrk Milleti Atlas Okyanusundan B\u00fcy\u00fck Okyanus\u2019a, Kuzey Buz Denizinden Hint Okyanusuna kadar uzanan 3 k\u0131tada d\u00fcnyan\u0131n en b\u00fcy\u00fck imparatorluklar\u0131n\u0131, tarihin en g\u00fc\u00e7l\u00fc ordular\u0131n\u0131 kurmu\u015f,<\/div>\n
Y\u00fczy\u0131llarca d\u00fcnya medeniyetini temsil etmi\u015ftir\u2026<\/div>\n
Bu medeniyet i\u00e7inde yer alan ve g\u00f6n\u00fcm\u00fcze kadar gelen k\u00fclt\u00fcr varl\u0131klar\u0131m\u0131za sahip \u00e7\u0131kmal\u0131y\u0131z.<\/div>\n
Ho\u015f\u00e7a Kal\u0131n\u0131z.<\/div>\n<\/div>\n
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K\u00fclt\u00fcr varl\u0131klar\u0131m\u0131z\u0131n, Milli benli\u011fimizin ve edebiyat\u0131m\u0131z\u0131n de\u011fi\u015fmez temel ta\u015flar\u0131 Tema\u015fa sanat\u0131, Meddah, Hacivat-Karag\u00f6z, Tasavvuf Musikisi, Sema g\u00f6sterileri, Hayal sahnesi, Fas\u0131l heyeti, Kukla vs\u2019dir. Bunlardan biri Hacivat \u2013 Karag\u00f6z\u2019d\u00fcr\u2026 Hacivat ve Karag\u00f6z kimdir? Ya\u015fam\u0131\u015f m\u0131d\u0131r, ya\u015famam\u0131\u015f m\u0131d\u0131r?. Yoksa bir hayal \u00fcr\u00fcn\u00fc m\u00fcd\u00fcr?.. Edebiyat ve tarih kitaplar\u0131nda belirtildi\u011fine g\u00f6re; Hacivat ve Karag\u00f6z Ramazan e\u011flencelerinin ba\u015f\u00a0kahramanlar\u0131ndand\u0131r\u2026 Bizim \u00e7ocuklu\u011fumuzda […]<\/p>\n","protected":false},"author":11,"featured_media":112028,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-112027","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gazi-mert"],"views":116,"_links":{"self":[{"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/posts\/112027","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/comments?post=112027"}],"version-history":[{"count":2,"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/posts\/112027\/revisions"}],"predecessor-version":[{"id":112030,"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/posts\/112027\/revisions\/112030"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/media\/112028"}],"wp:attachment":[{"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/media?parent=112027"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/categories?post=112027"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mersingazetesi.com\/index.php\/wp-json\/wp\/v2\/tags?post=112027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}